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8 January 1836 – 25 June 1912. Most renowned painters.

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LE BRUN, Charles
Entry of Alexander into Babylon h

ID: 07822

LE BRUN, Charles Entry of Alexander into Babylon h
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LE BRUN, Charles Entry of Alexander into Babylon h


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LE BRUN, Charles

French painter (b. 1619, Paris, d. 1690, Paris) French painter and designer. He dominated 17th-century French painting as no other artist; it was not until over a century later, during the predominance of Jacques-Louis David, that artistic authority was again so concentrated in one man. Under the protection of a succession of important political figures, including Chancellor Pierre S?guier, Cardinal Richelieu and Nicolas Fouquet, Le Brun created a series of masterpieces of history and religious painting. For Louis XIV and his chief minister Jean-Baptiste Colbert he executed his greatest work, the royal palace of Versailles: an almost perfect ensemble of architecture, decoration and landscape. After Colbert's death in 1683, he was no longer able to count on prestigious commissions   Related Paintings of LE BRUN, Charles :. | Chancellor Sguier at the Entry of Louis XIV into Paris in 1660 sg | Adoration of the Shepherds | Chancellor Seguier at the Entry of Louis XIV into Paris in 1660 (mk08) | The Martyrdom of St John the Evangelist at the Porta Latina (mk08) | Holy Family with the Adoration of the Child s |
Related Artists:
JORDAN, Esteban
Spanish painter/sculptor (1534-1600)
Pierre-Paul Prud hon
French 1758-1823 Pierre Paul Prud'hon Gallery
Inigo Jones
English Baroque Era Architect, 1573-1652,Masque designer, architect, and courtier, Jones's architectural legacy only fructified in the early 18th cent. through the neo-Palladian movement. Yet Jones personally remains frustratingly elusive, for all his arrogance and engrossing power as surveyor of the king's works (1615-44). Apart from entrancing scenic and costume designs, only seven of Jones's 45 architectural works survive: the most notable are the Whitehall Banqueting House, Queen's chapel at St James's, Queen's House at Greenwich, and, by no means least because of its Carolean town-planning context, St Paul's church, Covent Garden.






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